政治家与文学家的冲突和纠葛
——建国后郭沫若的身份困惑

Conflictions between Politician and Litterateur: Guo Mo-ruo’s Confusion in PRC

摘要: 建国后，担负政治要职的郭沫若在文学的道路上越走越窄，他的功利化、工具化的艺术主张也越来越趋向极端，这种在文学创作中高度体现政治第一、政治正确的政治性要求，导致了一种歌颂光明、拒绝灰色、反对悲剧的“欢乐颂”式的文学观。然而，郭沫若文学家的精神气质，又使得他内心渴求“本真”，厌恶“虚伪”，于是在私人世界里，郭沫若显得焦躁、懊恼和痛苦不堪。郭沫若的公众形象与私下形象的巨大反差正是政治家与文学家两种不同身份冲突的表现，而建国后的他正身陷在这政治与文学的漩涡中无法自救

Abstract: As a politician, Guo Mo-rou’s literary opinion developed more extremely after the foundation of PRC. He advocated that politics must guide writing and writing must embody the correct politics. Under this literary theory, literary should sing brightness and refuse to expose darkness. As a litterateur, Guo Mo-ruo looked forward to naivete, abhors fakeness in heart. He fell into fuss, affliction, and chagrin caused by the confliction between politician and litterateur after the foundation of PRC.