董雪飞. 身体·性别·主体: 论《看不见的人》对黑人性的操演[J]. 电子科技大学学报社科版, 2013, 15(5).
引用本文: 董雪飞. 身体·性别·主体: 论《看不见的人》对黑人性的操演[J]. 电子科技大学学报社科版, 2013, 15(5).
DONG Xue-fei. Body, Gender, and Subjectivity: Performance of Blackness in Invisible Man[J]. Journal of University of Electronic Science and Technology of China(SOCIAL SCIENCES EDITION), 2013, 15(5).
Citation: DONG Xue-fei. Body, Gender, and Subjectivity: Performance of Blackness in Invisible Man[J]. Journal of University of Electronic Science and Technology of China(SOCIAL SCIENCES EDITION), 2013, 15(5).

身体·性别·主体: 论《看不见的人》对黑人性的操演

Body, Gender, and Subjectivity: Performance of Blackness in Invisible Man

  • 摘要: 性别和身体是理解黑人性的一个重要维度,在《看不见的人》这一黑人巨著中,对黑人身体的规训建构了黑人与白人之间的性别等级,性别等级成了强化黑人与白人间种族差异的又一基石。黑人对身份和性别的操演解构了关于黑人种族的本质主义迷思,操演的性别揭示了黑人性的丰富内涵,重塑了黑人性的复杂与多元,操演的身份实际上是对白人父权制性别等级制度的颠覆和反抗,是对性别民主和主体性的诉求

     

    Abstract: Body and gender is an important dimension to understand blackness. In the epic Invisible Man, the hierarchy of gender between blacks and whites is constructed by disciplining the blacks’ bodies, which enforces the difference between white and black ethnicity. Blacks’ performance of gender and identity deconstruct the myth of black essentialism. The performing gender reveals the riches of blackness and refashions the complexity of blackness. Performance, in essence, is revolt and resistance against the gender hierarchy of white patriarchy, a form of seeking for subjectivity and gender democracy

     

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