张慧仁. 《达洛卫夫人》的诗化特征及其困境[J]. 电子科技大学学报社科版, 2017, 19(2): 92-96. DOI: 10.14071/j.1008-8105(2017)02-0092-05
引用本文: 张慧仁. 《达洛卫夫人》的诗化特征及其困境[J]. 电子科技大学学报社科版, 2017, 19(2): 92-96. DOI: 10.14071/j.1008-8105(2017)02-0092-05
ZHANG Hui-ren. On the Structure of Mrs. Dalloway: Its Uniqueness and Predicament[J]. Journal of University of Electronic Science and Technology of China(SOCIAL SCIENCES EDITION), 2017, 19(2): 92-96. DOI: 10.14071/j.1008-8105(2017)02-0092-05
Citation: ZHANG Hui-ren. On the Structure of Mrs. Dalloway: Its Uniqueness and Predicament[J]. Journal of University of Electronic Science and Technology of China(SOCIAL SCIENCES EDITION), 2017, 19(2): 92-96. DOI: 10.14071/j.1008-8105(2017)02-0092-05

《达洛卫夫人》的诗化特征及其困境

On the Structure of Mrs. Dalloway: Its Uniqueness and Predicament

  • 摘要: 传统小说描绘剧烈突转、超常态、极端化情感。伍尔夫以道具结构方式取代传统情节结构方式,把被后者排除的“常态的感情、灵魂和理智”,纳为小说描写的主要内容。在《达洛卫夫人》中,伍尔夫以达洛卫夫人为道具人物,展开所有人物的感知及他们的感知差异,在相互映衬中生成心心相异的情感逻辑,刻画出达洛卫夫人等众多饱满的人物形象。这种道具结构手法,显示出比情节结构更加经济、更加自由的优势,使人物刻画更加多维、多向,形象更加立体,成就了其诗化小说的风格,主题因果更具阐释性。但这一手法使小说文本成为智性文本,文学性减弱,为普通读者敬而远之。

     

    Abstract: Unlike the traditional novel which organizes a plot to push forward the progress of a novel, Mrs. Dalloway is not organized in a linear way. Props such as the party, Big Ben play a vital role in the structuring of the novel. Woolf depicts every character's stream of consciousness around these props and thus compares and reveals the characters’ different inner worlds and personalities. As a result, the portraying of the characters is three-dimensional and complete. The novel becomes poetical. However, the readers are not very pleased with and don’t understand well this kind of stream-of-consciousness novels.

     

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