仪爱松, 姜德成. 论凯特·肖邦“三位一体”的女性诗学[J]. 电子科技大学学报社科版, 2013, 15(2).
引用本文: 仪爱松, 姜德成. 论凯特·肖邦“三位一体”的女性诗学[J]. 电子科技大学学报社科版, 2013, 15(2).
YI Ai-song , JIANG De-cheng. Approach into Kate Chopin’s Trinity of Feminine Poetics[J]. Journal of University of Electronic Science and Technology of China(SOCIAL SCIENCES EDITION), 2013, 15(2).
Citation: YI Ai-song , JIANG De-cheng. Approach into Kate Chopin’s Trinity of Feminine Poetics[J]. Journal of University of Electronic Science and Technology of China(SOCIAL SCIENCES EDITION), 2013, 15(2).

论凯特·肖邦“三位一体”的女性诗学

Approach into Kate Chopin’s Trinity of Feminine Poetics

  • 摘要: 凯特·肖邦的小说以女性为叙述主体,采用狂欢化的叙事视角言说美国中产阶级女性自主意识的觉醒,彰显她对女性生存状态的关照和主体意识的思考。文章以肖邦的代表作品《一个小时的故事》、《一个正派女人》以及《觉醒》等为研究文本,对女主人公觉醒过程中呈现出的狂欢化文学品质进行了解读,认为肖邦从内容和形式的烘托比照中双向度突出小说主题的深刻内涵,构建了独具特色的“狂欢-颠覆-觉醒”三位一体的女性诗学。

     

    Abstract: The carnival perspective is used by Kate Chopin to feature American middle-class women’s self–awareness awakening and pursue after female writer’s subjectivity, which builds a unique text writing strategy. This paper is supposed to study the connections between the cardinal factors as well as their expressions and the grave themes inherent in Chopin’s textuality, and approach into her triune feminine poetics.

     

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